
The Balcony (4)
"The most important prerequisites of the performance are mirrors (stage design: Mária Ambrus), which show different reflections of body and soul. The latter is almost unknowable in the world of the performance, the first is present in its brutal reality. (...)
The smart staging of Sándor Zsótér rolls the story, defeating the scenics of the apartment theatre. The Maladype performance is like a fresh flower planted on a dung-hill, its extremes are the most exciting.”
Szabolcs Szekeres, ART7.hu, 2017.
The smart staging of Sándor Zsótér rolls the story, defeating the scenics of the apartment theatre. The Maladype performance is like a fresh flower planted on a dung-hill, its extremes are the most exciting.”
Szabolcs Szekeres, ART7.hu, 2017.
Published in
The Balcony
Monday, 28 October 2019 09:42
Viktória Mátyás: A true image born from fake spectacles
Written by Éri Ildikó
"Maladype Theatre has its own round of audience to experiment with styles and tools. In The Balcony, with the help of Sándor Zsótér, the performers take all the opportunities to push the envelope of both the Genet-play and the audience."
Viktória Mátyás, Súgópéldány, 2017.
Viktória Mátyás, Súgópéldány, 2017.
Published in
The Balcony
"Zsótér’s The Balcony is for people who consider theatre as an intellectual play and don’t mind if a performance involves more than just gazing on the changing of spectacular pictures, but instead, enjoy watching actors in a relatively small space with minimalistic stage design (Mária Ambrus), with only a few prerequisites, playing unusually difficult role switches. The actors know well who they play, but for the audience, in the end, reality and imagination really start to mingle."
Zsuzsa Makk, Mezeinéző.blog.hu, 2017.
Zsuzsa Makk, Mezeinéző.blog.hu, 2017.
Published in
The Balcony
Monday, 28 October 2019 09:40
Fehér Elephánt: Balcony “The interpretation of Sándor Zsótér shows us with lazer precision"
Written by Éri Ildikó
“The interpretation of Sándor Zsótér shows us with lazer precision the genius of Genet’s work, the importance of the identity-strengthening function of playing and changing roles. (...) this performance is a milestone in the Hungarian line of Genet interpretations. And it is almost a miracle! that this can come to life in the 15 square meters of Maladype Theatre. ”
Fehér Elephánt, 2017
Fehér Elephánt, 2017
Published in
The Balcony